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Home > Artist Paint Brushes > Winsor Newton Eclispe Brushes
 

Winsor Newton Eclispe Brushes

paint brush

This brush offers a number of additional unique features. Firstly it has a double-bodied handle which provides exceptional balance and comfort. It is sculpted to offer a balanced grip at the tail as well as below the ferrule making it perfect for both easel painting and "close in" work.

In addition, the range of brush heads is expansive and includes some unique head shapes which have double thick hair. These include the Double Thick Filbert, Double Thick Flat/Bright and Double Thick Fan which provide extra durability and colour carrying capacity. These shapes also offer a broad range of finely controlled working properties.

Eclipse Black Sable brushes are truly unique and are an ideal complement to the painting styles and needs of oil colour painters.

 
 Sub-Categories

Bright


A short flat head. Creates sharp edges with control.
winsor newton Eclipse brush

Fan


THICK FAN - Double Bodied Handle
winsor newton Eclipse brush

Filbert


Includes regular Filbert and Double Thick. Broad mark with a soft edge for heavy color.
winsor newton Eclipse brush

Glazing


Use for applying final glazes or varnishes and creating straight edges
winsor newton Eclipse brush

Rounds


Fine detail, lines and glazes
winsor newton Eclipse brush




How to choose an Oil Color Brush

There is one main benchmark for brushes that are used with thick or viscous colour; the thicker the colour, the stiffer the brush needs to be. A heavy paint like oil requires a brush with enough resilience to manipulate the colour with complete control.
However, a colour that has been thinned will need softer tuft (e.g. soft hair or filament) and a colour that has been thinned to a fluid consistency needs a brush with flow control (e.g. synthetic or natural hair brush such as sable).

Therefore brush characteristics to consider are:

  • Firmness of bristle û Is the bristle capable of moving heavy-bodied color over the surface with authority?

  • Tip control û Does the bristle or hair allow for subtlety in blending? Does it give fine control when creating detail?

Oil color brushes are generally made from two different types of hair, Hog and Synthetic hair.

Hog
Properly dressed, the finest quality hog brushes offer superior firmness and flagged ends for control and blending. Hog bristle is good for use with thick color. The hair is extremely resilient and the most important characteristic is that it is æflaggedÆ or split at the end.

These flags carry more color on the brush and apply it evenly on the surface. The very best hog brushes have over 80% flagged hairs. We offer three types of hog hair brushes (ArtistsÆ Hog, Winton and Azanta) and one synthetic brush which resembles the properties of Hog (Artisan).

Sable
The second choice for oil color painters is a sable brush. These are used when the painter needs more control of color when it has been thinned down with solvents. The high quality hair gives the brush excellent shape retention and allows the artists to paint intricate detail. This makes it the ideal complement to a Hog brush in an oil painter's studio.

Synthetic
High quality synthetic fibers are especially good if the brushes come into contact with water. As with our Artisan Water Mixable Oil Colors, where the brushes can be cleaned with water it is important that the brushes remain strong and durable and appropriate for painting with thick bodied color straight from the tube.

Sometimes when oil color has been thinned it is necessary to have a softer tuft. This is where synthetic fibers also work well. For example with the Synthetic Mongoose hair used in our Monarch brushes, providing a balance between the stiffness of hog and the softness of sable.

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